Neri Oxman Tells Davos Conference that 3D Printing is Key to Saving the World - 3D Printing Industry
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Neri Oxman Tells Davos Conference that 3D Printing is Key to Saving the World

The annual World Economic Forum is under way in Davos, Switzerland, for the 55th year since its foundation. Here, the world’s foremost political and economic leaders sit down and discuss how to split up… well… how to improve on the use of the world’s resources, shaping global, regional, and industrial agendas. While controversy is ripe at these kinds of meetings (since it is quite clear they have not been working out too well over the past decades) there is always room for those who are truly working to change the world for the better. One of these individuals is visionary conceptual artist, material scientist, and MIT professor Neri Oxman.

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The essay Professor Oxman presented focused on an idea that has really been taking off recently. The idea of the World-as-Organism. This is based on the Gaia theory by James Lovelock, which has been gaining acceptance among scientists after being laughed at in the early days. Neri Oxman’s take on this is that additive, digital manufacturing enables us to actually grow objects and products in a way that is more in line with the way the World Organism functions.

Stratasys Neri Oxman 3d printing MUSHTARI
Mushtari, from the Wanderers series. Designed by Neri Oxman in collaboration with Christoph Bader and Dominik Kolb and created for and in collaboration with Stratasys Ltd. Produced on the Objet500 Connex3 Color Multi-material 3D Production System. Photo credit: Yoram Reshef.

Lovelock has a very pessimistic outlook on the future, saying that we are already beyond the point of no return. Based on what we see today, his theories can hardly be argued against. He posits that we should not try to fix the planet, but simply try to make the best of a bad situation.

According to Oxman, the shift from the World-as-Machine approach, inherited from the previous industrial revolutions, to the World-as-Organism approach, possible through new manufacturing technologies, may even go beyond making the best of the current situation and even counter some of the damage done.

Unlike all three previous industrial revolutions, which were indifferent to ecology— Oxman writes – this fresh perspective is not only bound to the natural environment, it betters nature at her own game. Inevitably, the World-as-Organism will supersede the World-as-Machine.

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At the close of the Digital Age,” she writes, “design remains constrained by the canon of manufacturing and mass production – she goes on. Assembly lines still dictate a world made of parts, limiting the imagination of designers and builders who are indoctrinated to think and make in terms of discrete elements with distinct functions. Even the assumption that parts are made from single materials goes unchallenged. The legacies of Joseph Marie Jacquard and Henry Ford persist: homogeneous materials are formed into predefined shapes at the service of predetermined functions.”

Through her work, Professor Oxman has been exploring how the Digital Age is enabling engineering and production at Mother Nature’s quantum scale, ushering in the Fourth Industrial Revolution: the Biological Age. She has done this through several projects which pushed the boundaries of manufacturing through multiple material 3D printing (in particular, through a collaboration with Stratasys).

Stratasys Neri Oxman 3d printing AL-QAMAR
Al-Qamar, from the Wanderers series. Designed by Neri Oxman in collaboration with Christoph Bader and Dominik Kolb and created for and in collaboration with Stratasys Ltd. Produced on the Objet500 Connex3 Color, Multi-material 3D Production System. Photo credit: Yoram Reshef.

This concept – summarised in the idea of Material Ecology – promotes the conceptualization of holistic products, characterized by property gradients and multi-functionality, and proposes a shift from consuming nature as a geological resource to editing it as a biological one.

The idea of growing objects is clear in the work of several designers experimenting with 3D printing such as studios Nervous Systems, Growth Objects, and Emerging Objects. For Oxman “top-down form generation (additively manufactured) combined with bottom-up growth of biological systems (biologically synthesized) opens previously impossible opportunities: photosynthetic building façades that convert carbon into biofuel; wearable micro-biomes that nourish our skin through selective filtration; 3D printed matter that repairs damaged tissue.”

Although this may seem like a foreign and mysterious concept it is a lot simpler than it sounds.  The products of tomorrow are going to be built in a way that makes us blend in with nature and live symbiotically with the World Organism, instead of parasitically. The only issue remaining is to push the 7+ billion people that inhabit the Earth to make that shift. I’d suggest the 62 people that own half the world’s wealth should probably focus on that.